ALMOG SHARVIT
Almog Sharvit, a 28-year-old conservatory-trained musician based in Brooklyn, creates surreal, maximalist compositions that combine both acoustic and electronic textures. In New York, he has established himself as a creative force; his jazz trio KADAWA has received accolades from the New York Times, Indiecurrent, and Vancouver Sun, among others. Sharvit has also toured internationally with various acts across 12 countries, and performed at storied venues including Jazz at Lincoln Center, the Detroit Jazz Festival, the Blue Note, Jerusalem Jazz Festival, and many more.
Almog Sharvit, a 28-year-old conservatory-trained musician based in Brooklyn, creates surreal, maximalist compositions that combine both acoustic and electronic textures. In New York, he has established himself as a creative force; his jazz trio KADAWA has received accolades from the New York Times, Indiecurrent, and Vancouver Sun, among others. Sharvit has also toured internationally with various acts across 12 countries, and performed at storied venues including Jazz at Lincoln Center, the Detroit Jazz Festival, the Blue Note, Jerusalem Jazz Festival, and many more.
RELEASES
Lineup
Almog Sharvit - Bass, E-Bass
Adam O’Farrill - Trompete
Brandon Seabrook - Gitarre und Banjo
Micha Gilad - Klavier, Synthesizer
Lukas König - Schlagzeug
Ambrose Getz - Gesamg #5
David Leon - Flöte #3
Idan Morim - Gitarre #1
Jocelyn Silver, Arianna Fleur, Chris Bradshaw, Rebecca Zola & The Getz Family - Gesang #4
Adam O’Farrill - Trompete
Brandon Seabrook - Gitarre und Banjo
Micha Gilad - Klavier, Synthesizer
Lukas König - Schlagzeug
Ambrose Getz - Gesamg #5
David Leon - Flöte #3
Idan Morim - Gitarre #1
Jocelyn Silver, Arianna Fleur, Chris Bradshaw, Rebecca Zola & The Getz Family - Gesang #4
Details
Catalogue Number
4985
Recording Engineer
Mixing Engineer
Eva Lawitts & Chris Krasnow
Mastering Engineer
John McCaig
Album Duration
Genre
Jazz
Release Date
06.06.2021
Description
Get Up Or Cry reflects genre-pushing creativity, textural innovation, and a striking balance between form and freedom. The album blurs electronic music, psychedelic rock, bluegrass, 20th-century classical music, and of course, jazz, into dizzyingly beautiful, wholly unique songs. Sharvit composed, arranged, and
produced every single track–the only additional writing credit belongs to one Vladimir Nabokov , whose poetry serves as the lyrics to the eponymous track “Get Up Or Cry.”
produced every single track–the only additional writing credit belongs to one Vladimir Nabokov , whose poetry serves as the lyrics to the eponymous track “Get Up Or Cry.”
Get Up Or Cry reflects genre-pushing creativity, textural innovation, and a striking balance between form and freedom. The album blurs electronic music, psychedelic rock, bluegrass, 20th-century classical music, and of course, jazz, into dizzyingly beautiful, wholly unique songs. Sharvit composed, arranged, and
produced every single track–the only additional writing credit belongs to one Vladimir Nabokov , whose poetry serves as the lyrics to the eponymous track “Get Up Or Cry.”
“I intended to create an album that you can turn to when you feel joy and sorrow at the same time,” says Sharvit. “I wanted to make an album that is beautiful in an odd way, a space where humor interacts with moving, complex, and crazy songs. They express how we all feel sometimes–overwhelmed with information, short on focus, caffeinated as hell, but at the same time having moments of joy, intimacy, sadness, and freedom.”
Get Up Or Cry w as recorded in a single day at Wonderpark Studios in Brooklyn. In post-production, Sharvit applied experimental techniques usually found in pop and electronic music to the songs–the record features filter sweeps, heavy distortion and compression, and creative automation and panning that he gladly says “will knock the dust off your stereo.”
produced every single track–the only additional writing credit belongs to one Vladimir Nabokov , whose poetry serves as the lyrics to the eponymous track “Get Up Or Cry.”
“I intended to create an album that you can turn to when you feel joy and sorrow at the same time,” says Sharvit. “I wanted to make an album that is beautiful in an odd way, a space where humor interacts with moving, complex, and crazy songs. They express how we all feel sometimes–overwhelmed with information, short on focus, caffeinated as hell, but at the same time having moments of joy, intimacy, sadness, and freedom.”
Get Up Or Cry w as recorded in a single day at Wonderpark Studios in Brooklyn. In post-production, Sharvit applied experimental techniques usually found in pop and electronic music to the songs–the record features filter sweeps, heavy distortion and compression, and creative automation and panning that he gladly says “will knock the dust off your stereo.”
Get Up Or Cry reflects genre-pushing creativity, textural innovation, and a striking balance between form and freedom. The album blurs electronic music, psychedelic rock, bluegrass, 20th-century classical music, and of course, jazz, into dizzyingly beautiful, wholly unique songs. Sharvit composed, arranged, and
produced every single track–the only additional writing credit belongs to one Vladimir Nabokov , whose poetry serves as the lyrics to the eponymous track “Get Up Or Cry.”
“I intended to create an album that you can turn to when you feel joy and sorrow at the same time,” says Sharvit. “I wanted to make an album that is beautiful in an odd way, a space where humor interacts with moving, complex, and crazy songs. They express how we all feel sometimes–overwhelmed with information, short on focus, caffeinated as hell, but at the same time having moments of joy, intimacy, sadness, and freedom.”
produced every single track–the only additional writing credit belongs to one Vladimir Nabokov , whose poetry serves as the lyrics to the eponymous track “Get Up Or Cry.”
“I intended to create an album that you can turn to when you feel joy and sorrow at the same time,” says Sharvit. “I wanted to make an album that is beautiful in an odd way, a space where humor interacts with moving, complex, and crazy songs. They express how we all feel sometimes–overwhelmed with information, short on focus, caffeinated as hell, but at the same time having moments of joy, intimacy, sadness, and freedom.”